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10 Class Pass- Adults

10 Class Pass for emBODY Studio

100 US dollars
Washington Street

Service Description

Studio Flex Pass Valid across Tap Fundamentals, Jazz Fundamentals, and emBODY Method · 18+ (Stage Combat is excluded from the pass) PRICING 10-Class Pass — $180 ABOUT One pass, three classes, your call. The Studio Flex Pass lets you mix and match across Tap, Jazz, and emBODY Method however you want, 10 classes in any combination. Sample all three, split your time between two, or stack up on the one that's calling you. Built for folx who want range without locking into a single track. Redeem any Tuesday or Wednesday class during the active season. SCHEDULE Season — Fall and Spring Fall — September 7 through November 15 Spring — February 1 through April 18


Upcoming Sessions


Cancellation Policy

Because class sizes are limited, registration fees are non-refundable unless a class is canceled by emBODY Project Theatre. If you need to cancel, please let us know as soon as possible. With at least 48 hours’ notice, we may offer a transfer or class credit toward a future emBODY offering. Cancellations made less than 48 hours before class, and no-shows, cannot be refunded or credited.


Contact Details

  • 95 Washington Street, Canton, MA, USA

    embodyprojecttheatre@gmail.com


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emBODY Project Theatre​ 

95 Washington St.

Canton, MA. 02021

Located between Elements Massage and Uniq Laser

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emBODY project Theatre is an emerging company that develops new work and training programs using the emBODY Performance Method.

© 2026 emBODY Performance Method LLC and emBODY project Theatre. All rights reserved.
The emBODY Performance Method is a performance methodology developed by Corinne M. Mason, first explored in the MFA thesis emBODY project. The emBODY Performance Method and all related materials are the intellectual property of emBODY Performance Method LLC and are used by emBODY project Theatre with authorization. No reproduction, adaptation, or use of these materials is permitted without prior written consent.

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